Sources, proof-points, facts and references - and how they get in the way of a good story

 

A few years back, I had a little whinge about the Mr Gradgrinds of the world. Specifically, the instance on backing everything up with “facts," taking up time I could usefully spend on telling a compelling story.  

It strikes me that there’s even more demand for all this today. Maybe it’s because of the epidemic of high-profile people doctoring their CV, or their Doctorate Thesis. Or because Mr “Fake News” is heading back to the White House, or the unstoppable rise of AI. But I do find it wearying in the extreme.

There are some amusing incidents along the way, though. I signed up to one of those freelancer platforms and was asked to produce (and upload) some questionnaire from the German Finanzamt about and confirming my freelancer status. I told the person who’d asked for it that yes, I believe I did fill something like that in, but it would have been in 2002. And it would have been on paper. And I would have sent it by post. And no, I wouldn’t have kept a copy as I didn’t have a photocopier in my home at the time (not many people did). 

They would just have to take my word for it - which, luckily, they did. I suspect the woman who asked wasn’t even born in 2002 and was embarassed and bewildered by the whole thing.

Taking my word for it. When I write a presentation, or an article, it’s the bird building a nest syndome. There are bits and pieces - from stuff recently read, things I’ve learned, things I just know, intuitively, from long experience etc. etc. I can’t remember the source or reference for each bit because it’s not important. What’s important is the finished nest, where everything fits together in a lovely integral whole and you think - ah, yes!

In the end, it’s a matter of trust. As a whole, I don’t tend to make stuff up, or twist facts and figures to suit my argument (well, not too much). Sources, references and “proof-points” do tend to trip up the reader in the flow of the story, and there's little way of including them elegantly without the article ending up like the aforementioned Doctorate Thesis.

On the other hand, with this kind of howler coming out from an outfit the size of Microsoft, maybe those Mr Gradgrinds do have a point? 

Condiments of the season

 

The clocks have gone back, the feather duvets retrieved from the cellar and the beergarden afternoons definitely a memory of sunnier days. At the weekend, I experienced a last stand in miniature from a Bavarian speciality that I associate firmly with the dog days of summer through to the autumn jollity of the Oktoberfest.

At a birthday party, we were served canapés of Weißwurst, Salzpretzel and a dollop of Süßsenf. Rather like this:

Weißwurst is a delicacy that doesn’t have the immediate appeal to Brits of a Bratwurst. I remember meeting a UK colleague in Munich at around 11am and his stomach definitely turned when I ordered this particular snack and started tucking in. The sausage itself is made from veal (I’m not over-keen to find out which particular bits), pork fat, parsley and spices. The discarded sausage skin does look particularly unappealing. Traditionally, these sausages were made in the morning and butchers and restaurants were keen to get rid of them by mid-day. Again, I’d rather not ask too many questions as to why.

They are, however, delicious and there’s a certain charm in the way they are served, floating around in a terrine-type bowl with lion’s head handles and maybe a Bavarian flag pattern:

 

Now, you may have noticed that mini-terrine of brown stuff to the right. Once again, I’ll refrain from saying what this resembles, but it is Süßsenf - sweet mustard. The mustard seeds are roasted and the mustard is sweetened with sugar, apple purée or honey. The first commercial producer was Develey, who are still going strong today. But the market leader is the one pictured above - Händlmaier. 

Karl and Johanna Händlmaier opened their first butcher’s shop in Regensburg in 1910, and Johanna created the Süße Hausmachersenf  in 1914, to go with the sausages they sold to eat on the premises.  Son Joseph and his wife Luise took over the butchers’ shops after the 2nd WW, and it is Luise who turned these into a thriving mustard and condiments business after her husband’s death in 1955. She’s the lady depicted on the label, of course.

The website is full of Weißwurst wisdom, including the etiquette for eating the sausages. In typical German fashion, it’s less about “how do you eat yours?” and more about orderly steps and correct procedures. 

Whichever way, it’s fun to be writing about sausages again on Extrawurst. It’s been a while!

  

RETROWURST: Baking November 2006

 

Advent is fast-approaching so it’s time to whisk yourself into the Home Bakery. 

I wonder if I’d have taken up baking if I hadn’t moved over here?

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If you were to wander around the shops in Germany at the moment, one thing that you wouldn’t fail to notice – apart from the explosion of Christmas decorations – is that the baking season is well and truly upon us. Every supermarket has displays of enticing baking ingredients and every Tchibo, Lidl or Aldi that does weekly products has a brochure with a picture of mother and cute daughter in red aprons, surrounded by an overwhelming collection of ingredients and gadgets from electrical cookie cutters to non-fat donut makers. This time of year, the just-before-advent season in middle to end-November is the absolute peak season for baking in Germany. It is expected that, by the first Sunday of Advent, that one should have baked enough Plätzchen – biscuits to you and me – to last you well until the New Year.

 

Although the pre-advent season is the peak of the baking-frenzy, Germany does have a strong culture of baking at most other times of year. Baking is one of those activities that combine a number of typically German values and obsessions. First and foremost, baking is an activity that has to do with family and togetherness: the idea of a gemütlich afternoon with advent candles, coffee and home-baked goodies in the close family circle is bound to get most Germans a little teary. Of course, most of the baking is done by women and this re-affirms many of the attitudes that the likes of Eva Hermann are trying to push back onto German women: that being a good Hausfrau should be the sole goal in life.

 

Another German value that baking reflects is that of tradition. Recipes are handed down through the generations and generations may come together to bake. The grandmother may be the expert on Stollen while the granddaughter may be a dab hand at the Zimtsternen. Most families will have very set traditions of where and when they enjoy their Adventskaffee. At other times of year, too, certain types of cakes and pastries come into their own:  Apfelkuchen and Pflaumenkuchen in the autumn, for example, or Berliner (doughnuts) at Carnival time.

 

Finally, baking gives wonderful expression to the German love of gadgets. It is quite amazing to see what even the average German household has in the way of baking gadgets. Several cake tins in different sizes, formats and materials are just the start of it. A waffle maker is standard, and cupboards and drawers will be full of everything from a plastic doily-like thing to make pretty icing sugar patterns with to a special “click shut and carry” plastic case for your Gugelhupf. German ingenuity really comes to the fore in the world of candied peel and chocolate hundred and thousands.

 

While baking seems to be something that has undergone a revival in the UK, in Germany, it never went away. There does not seem to be the cult of the celebrity chef here, although there are a couple of me-too German versions of Nigella or Jamie Oliver knocking around here, if that is not too unpalatable a thought. Perhaps this is because the real celebrities here are those millions of ordinary women who bake regularly for the Landfrauen stand at the town Fest, or the open day at the Kindergarten or simply for Sunday Kaffee und Kuchen, advent or not. Cakes and other baked goods are simply a part of life in Germany that “belongs to it” as they say here. At flea markets or craft fairs, the price to have a stand is usually a couple of Euros and a home-made cake. At every town or club celebration, there will be a cake stand. And any time that you invite someone around for coffee, no matter how informal the occasion, there will be at least some expectancy that you’ll have gone to a bit of trouble to bake something.

 

All this is not to say, however, that bought cakes have no place in Germany. Of course they do, but the homemade cakes are seen as the norm. In the supermarket, the range of pre-packed cakes is fairly narrow compared to the UK and is typified by the sort of cakes made by Bahlsen (www.bahlsen.de): relatively simple “slab” cakes. These are normally bought when you have a good excuse for not having baked yourself or for when people pop round spontaneously (not a very common occurrence in Germany, where everything is planned and double-planned). The cake is then produced with a rather apologetic face and comments will go along the lines of “well, of course these shop-bought cakes are adequate but it’s not nearly as good as your Aunt Waltraud’s.”

 

On the other hand, fresh “bought” cakes have a different status. Bäckereis and Konditoreis are sprinkled liberally all over Germany rather like flaked almonds or chopped pistachios. Cakes and Torten can be bought to be consumed on the premises or carefully packed for the Gemütlichkeit of one’s own home. The selection of cakes in these places tends to be extravagant to say the least but even here, there is often the feeling that, although the Torte may look like a work of art, Aunt Waltraud has probably still got the edge when it comes to the taste.

 

To get back to the business of home-baking, one brand really does rule the roost. While Maggi is the queen of the savoury kitchen in Germany, then Dr. Oetker is the king of baking. Dr. Oetker (www.droetker.de ) is an iconic, sprawling institution of a brand and seems to have dictated what goes on in German kitchens for over a hundred years. As well as providing all of the baking ingredients from baking powder to gelatine to flavourings to vanilla sugar – all carefully dosed-out and pre-portioned – Dr. Oetker also does a range of cake and pastry mixes and, importantly, for the role of the brand as bakery oracle, cookery and baking books. More than merely recipe books, these books have become indispensable classics in the “how to” art of baking. With increased mobility, these books can become a mother-substitute for young women wondering exactly how you do remove a sponge base from a 28cm Springform tin.

 

While Dr. Oetker is without doubt the leading player on the home baking stage, there is also a large cast of specialist supporting brands. When it comes to decorating your cake and specific ingredients, Schwartau (www.schwartau.de ), whose main strength as a brand is actually in fruit and jam, have everything you need from pre-zested lemon to poppy-seed filling. Toppits (www.toppits.de ) are specialists in baking paper products. And in the area of gadgetry, you cannot escape the presence of Fackelmann (www.fackelmann.de ) with their ingenious devices for the kitchen.

 

Finally, it is not all deep-rooted tradition in the world of home-baking, contrary to expectations. New trends and movements in other food and drink areas are seized upon enthusiastically in the baking world. In fact, Dr. Oetker publishes a book called Modetorten in which you’ll find – in addition to the expected Cappuccino and Latte in cake versions – cake recipes with Coca Cola and Fanta and even cakes in the shape of car tyres and snowboards.

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Of course, since 2006, Insta, Pinterest and TikTok have all become mini baking shows. Even I’ve joined in with my #sicklycakes 

Dr. Oetker’s Modetorten look as scrumptious and preposterous as ever online these days - anyone fancy an Aperol-Spritz Cake?