Back to life, back to reality

 

I’ve always thought that positioning and brand communications is a tricky balancing act for the big telecoms brands. All too often, the customer ends up with left-hand-doesn’t-know-what-right-hand’s-doing mixed and muddled messages.

Banging on about sustainability on the one hand.

Salespeople pushing you to have yet more GBs on the super-duper-saver tariff on the other.

Heart-wrenching films decrying cyber-bullying from one direction.

Mega-super addictive games and competitions from the other.

Brands like Deutsche Telekom must continually balance responsibility with their mindset of “digital optimism.” In that it can never be blind, non-critical optimism.

The thing is, you can’t set the clock back - or catch the particular bolted horse. But maybe you can stop other horses from bolting in the future.

In Australia, you now have to be proven over 16 to have a social media account. Under 16s can still look at content, but companies are forbidden to enter into a business relationship with children. 

Will less doom-scrolling mean more time to enjoy life unprocessed through algorithms and screens? Vodafone are hoping so. The brand’s Chistmas ad is part of the “Go Real Life” initiative which  encourages more considered SmartPhone usage and everyday mindfulness in general. It’s produced together with Borussia Dortmund and extols the joy of 70,000 fans getting together for a Christmas sing-song. The slogan “Leb im Jetzt statt im Netz. Zeit für echte Verbingdungen” can be roughly translated as “Live in the Now, not in the Net. Time for real connections.”

It’s a apt message especially for now, when every Christmas card, napkin design or poster for Christmas shopping has that distinctive but not very original AI-look to it. 

But, I wonder - to show real responsibility to tackle the problems that social media has unleashed - how would it be if the big telecoms brands got together to work on solutions?  

 

If this is the future of advertising, I’m underwhelmed

 

This new commercial for Vodafone describes itself as “groundbreaking”. 

Was the YouTube description written by AI? Highly likely, as the film itself was completely produced by AI - text to picture, picture to video, video to video - with a little bit of human help sprinkled here and there by the director, client and creative teams involved.

As a film, it’s OK. AI is definitely capable of better quality film than it was a few months ago. There’s nothing too alarming or creepy about this ad - or, indeed, the Coca Cola Christmas ad this year.

But while there’s nothing too much wrong with it, there’s nothing too much right with it either, in my view. It’s yet another one of those diversity vignette films. The soundtrack, The Rhythm of the Night, is a dance hit from 1993.

And that’s what this ad feels like to me - 1993. Back then, in the agency, we’d often cobble together (well, that’s unfair, as it took a lot of time and skill in those days) “mood films”, sometimes in the form of a “manifesto.” The purpose was to bring the core of what the brand was about to life. It was more entertaining than a brand onion, and more likely to win you a place on a pitch shortlist.

What these things weren’t, however, is creative ideas. They were usually briefed in by a planner and their audience wasn’t Joe and Jane Public - it was the client, to flatter them a little about their wonderful brand.

And meanwhile, in the spirit of “Everybody’s Doing It”, the ghastly stock photos of people joining hands, staring excitedly at their laptops, putting pieces of fruit in front of their eyes or cradling a tender young shoot in the palm of their hands have been replaced with AI-generated monstrosities.

I’m working with a client in the energy sector at the moment, where the visions seem particularly nightmarish:

I do hope I see a little more originality next year!