I don’t often read recently-published novels. Probably due to my weird penchant for living in the past, and I often think the old stuff is going to be more enduring. But now and then I have a go at something new, and, in the case of Perfection by Vincenzo Latronico, I was pleasantly surprised.
Here’s what I made of this tale of two digital nomads set in the first two decades of the 21st century:
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This is a brilliantly observed novel, describing in detail the life on- and offline of a young couple, from the early 2000s to 2019. I say “the life” in singular, as Anna and Tom, digital creatives, are written mainly as one entity. The pair are originally from Italy, but find their way to buzzy Berlin at the time of the digital boom and the rise of social media.Reading the first few pages, you wonder if you’ve stumbled into a talking IKEA catalogue or similar. The style is unemotional, descriptive, rather flat. This is curious initially, but soon mesmerising as you drift into a curated, algorithmically determined world where the public persona rules supreme and reality is “stuffed away into huge, clear storage boxes.”
Of the couple, the author writes: “Anna and Tom had grown up with the notion that individuality manifested itself as a set of visual differences, immediately decodable and in constant need of updating”. Their Instagram world of curated ephemera includes vintage clothes, cupcakes, crystalline coastlines, airy apartments, flowers and book covers. And “they would find themselves utterly mesmerised by the apartment, kale salad or kitten of someone living two blocks or two continents away. They would get worked up about silly fights between strangers.”
Offline, Anna and Tom live in a similar bubble, together with kindred ex-pat creatives. They frequent trendy clubs, Instagrammable restaurants and edgy art exhibitions. This bubble is like a 21st century global digital version of a Potemkin village - curiously flat and lacking in substance.
Gradually, the pair recognise a lack of purpose or fulfillment and attempt to rectify this via volunteer work in a refugee camp. But their digital creative skills cannot be usefully deployed here.
As the years pass, the couple sense the pain of a generational change and leave Berlin, returning to Southern Europe. Although the ending hints at a new stability, one cannot ignore the date - 2019. My mind continued to tick over when I’d finished the book, wondering what happened to Anna & Tom (and their ilk) in the pandemic.
Insightful, thought-provoking, well-written and translated, “Perfection” evokes the spirit of the early 21st century in Europe (almost) perfectly.
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And even though I’m a little older than the protagonists, I had several ouch-been-there-done-that-moments.
Needless to say. I read Perfection on my Kindle, as is my wont these days. I still hanker after real books, to be honest, yet this was the perfect book to read on Kindle, which enhances that flat, Potemkin village feeling.
Just as I’d finished the book, though, I saw a wonderful sight just down the road which could just be the start of the way back to real books. It’s kind of the opposite of a Potemkin village - an inside-out bookshop - Bruchköbel’s very own bricks and mortar brand.
Our relocated local bookshop, the Rathaus Buchhandlung, designed by the Artbau Gruppe. Congratulations to all concerned, and much success with the new shop.